Whiteboy Slim on Swoop’s World Late Night

Whiteboy Slim

On Wednesday February 5, 2014 at 8pm/PST (10pm/CT, 11pm/ET) we are happy to welcome the return of Whiteboy Slim to Swoop’s World Late Night. Join us as we get a chance to catch up with him, find out what he’s been up to, learn about his new CD, and listen to some great new music. Of course we’ll be up to all of our usual fun with our Brewskis beer tasting segment, TBones Timeout, USC legend Anthony Davis, as well as crazy insights into any interesting news stories of the day. We are also simulcast by AM1670 – Dewberry Jam Community Radio – San Antonio, TX. Swoop’s World Late Night is on Wednesday’s from 8pm/PST – 11pm/PST tune in at Swoopsworld.com.

Whiteboy Slim
Maurice Richard Libby aka Whiteboy Slim is a musician and visual artist. He takes a consistent approach to his work in both media, mixing and matching his tools on tried-and-tested structures. Musically, he draws on experience and a diverse set of influences, including jazz, funk, world music and hip-hop, to create a very personal, coherent and enduring blues sound.

Ray Charles and Louis Armstrong sparked Maurice’s interest in music and in ‘blue’ sounds. He started to experiment with a number of instruments as a child and was soon winning awards with his first band.

Still in his teens, Maurice sang and played harmonica in the blues group Red Meat, which featured his brother Michael on Drums and Ray Montana, the Regina guitarist who went on to back up Sawyer Brown, the Nitty Gritty Dirt Band, Waylon Jennings and Johnny Paycheck.

After moving to Toronto, Maurice took on the persona of Whiteboy Slim. His driving blues outfit, Automatic Slim, was a popular live attraction, filling classic venues like the El Mocambo, The Silver Dollar Saloon, and the Black Swan. Automatic Slim was the house band at four different clubs on different nights of the week, and was noted for having best grossing Wednesday night downstairs at the El Mocambo. Maurice shared the stage during this period with other key Canadian blues artists, such as the brilliant guitarist and harmonica player, Michael Picket, and the Kendall-Wall Blues band.

When personnel changes eventually shut down Automatic Slim, Maurice embarked on a solo career, playing jazz in Toronto clubs, then returning to Saskatchewan, where he plays his blues solo and in various group formations.

Maurice learned his craft in impressive company. While reading Jazz and Composition at the Berklee College of Music in Boston, he hung out with fellow students and teachers including jazz great Gary Burton, pianist Al Copley (co-founder of Roomful of Blues), and bassist Ron McClure (bassist with Charles Lloyd, Wynton Kelly, Quest, The 4th Way, Joe Henderson, Blood, Sweat & Tears, The Pointer Sisters, Sarah Vaughan, Thelonious Monk).